Splashes of Joy: The Enchanting World of Children's Watercolor Illustrations by Tale Teller Club Publishing

Splashes of Joy: The Enchanting World of Children's Watercolor Illustrations

Introduction: Children's literature is a magical realm where imagination knows no bounds. At the heart of this enchanting world lie the whimsical strokes and vibrant hues of watercolor illustrations. A medium that dances between the realms of fantasy and reality, watercolor brings stories to life with its translucent charm and ethereal beauty.

The Charm of Watercolor: Watercolor is no ordinary paint; it's a storyteller's best friend. Its gentle translucency allows artists to create dreamlike scenes that capture the essence of childhood wonder. The fluid nature of watercolor lends itself to a soft, organic flow, perfect for expressing the boundless energy and curiosity of young minds.

Techniques that Spark Creativity: One of the enchanting aspects of watercolor is its versatility. Artists can experiment with various techniques to achieve different effects. Wet-on-wet creates soft blends and dreamy backgrounds, while wet-on-dry allows for precise details. Layering adds depth, and the delicate balance of water and pigment unlocks a world of possibilities. From creating realistic depictions to fantastical landscapes, watercolor provides a canvas for boundless creativity.

Masters of the Craft: Countless illustrators have made their mark using watercolor to weave visual narratives for children. Take, for instance, the timeless works of Beatrix Potter, whose delicate watercolor depictions of Peter Rabbit and friends have charmed generations. More contemporary artists like Oliver Jeffers and Quentin Blake continue to captivate young readers with their distinctive watercolor styles, proving that the allure of this medium stands the test of time. 

Our favourite contemporary book illustrator is iServalan, known for her gentle and adorable facial features of children and her quirky fun animals as featured in our new releases for 2024.

Behind the Scenes: The Artistic Process: Ever wondered about the magic behind the pages of a children's book? The process of creating watercolor illustrations involves a delicate dance between artist and medium. Illustrators carefully plan their compositions, choosing colors that evoke emotion and convey the story's mood. The spontaneous nature of watercolor adds an element of surprise to the creative process, making each stroke an adventure.

Themes that Speak to the Heart: Watercolor illustrations often explore themes that resonate with children—nature, friendship, adventure, and the magic of the everyday. The fluidity of watercolor allows artists to breathe life into characters and settings, making them relatable and endearing. These illustrations become windows into worlds where imagination knows no limits.

Inspirational Adventures on the Pages: From the misadventures of curious animals to the exploration of fantastical realms, watercolor illustrations serve as the bridge between words and a child's vivid imagination. The pages of children's books become vibrant landscapes where every brushstroke is a step into a world of discovery.

A Call to Creativity: For parents, educators, and aspiring artists, watercolor provides an accessible and joyful avenue for creative expression. Encourage the little ones to dip their brushes into the palette of possibilities. Whether it's a rainy day project or a sunny afternoon exploration, let the magic of watercolor inspire the next generation of storytellers and dreamers.

Conclusion: Children's watercolor illustrations are more than strokes on paper; they are portals to enchanting worlds where joy and imagination thrive. As we turn the pages of these illustrated tales, we are reminded that the magic of childhood is forever encapsulated in the mesmerizing hues of watercolor—a timeless celebration of the artistry that makes children's literature truly extraordinary.

Links to episodes of Immersion written and illustrated by Sarnia de la Maré FRSA

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Glossary for The Book of Immersion Volume 1 by Sarnia de la Maré FRSA
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Artworks portfolio by Sarnia de la Maré FRSA

Strata 9, Immersion V1, Loins and Lust (Limerence)

Lose yourself in the safety of books.

The Book of Immersion

Volume 1

Strata 9 

Loins and Lust (Limerence)

The Book of Immersion is published on the Tale Teller Club website each week.

www.taletellerclub.com

Each episode features CDM music by the band Tale Teller Club and illustraitions by iServalan Homotech 23

Welcome to our world.

© 2024 Sarnia de la Maré

Tale Teller Club

Publishing Immersion Strata 9

Welcome to Immersion

You have reached Strata 9

 

Limerence is a uniquely human phenomenon that new lovers, potential lovers and sometimes even strangers, may experience. Limerence is a state of mind (not solely romantic) that typically includes persistent, sometimes depressing thoughts, and a deep yearning for the object of one's affection. It can be easily confused with love. Often human beings can find themselves addicted to these obsessive feelings and can easily be overwhelmed by adoration for another human being. Limerence cannot be turned on and off like a machine. It can come from nowhere and disappear without logic. The experience of this sensory state is proven to be inspiring, connective, unifying, disruptive, and even excruciating, yet it continues to mark the human trajectory of existence through time and place.

Renyke thinks for a moment then says

'Ok, I will swap my coat but not until we get to the *edge,'

Shabra smiles and nods.

'OK, *dundeal Mr. Renyke Man. We go tonight when the dark takes. Safer see.'

****

The group is in an enclosure flanked by half-deconstructed concrete walls. There are large metal containers lying around with shrubbery and foliage trying to make a stand against the manmade environment.

Tumbleweed plays in a soft wind searching for a home.

Flex kicks some redundant ashes by an upturned metal water tank.

'I can make us a fire,' he said excitedly.

Maybeline scurries around searching for food and sniffing the air.

She smells something, danger is afoot.

Flex is armed with a pocket of lighters.

He wears a brightly coloured patchwork gaberdine style overcoat with inside pockets that have everything a nomad would need. There are small pieces of mechanical paraphernalia, vintage innards from antique items, little motors. He even has motherboards and old PC parts.

‘Do you take this stuff everywhere you go?’ asks Renyke.

‘Yes sir-ee, some days man’dun gotta make *swapsie-trade.

Everything has a use in the Zones brother.'

Renyke began to pace, 'Shabra is taking her time,’ he said standing near the opening of the enclosure.

‘She’ll come, she is huntin’ tis all my friend. You got attached already?’

Renyke stared at Flex a moment.

‘We need that ride,’ he said.

Then he checked the POS whose signal was intermittent.

'.......What are the signs of being attracted to somebody?'

The POS took a moment to compile a response……..

……Do you mean how is attraction manifested in humans Renyke?

'……yes, yes, of course ‘humans’, Renyke replied.'

The POS continued:

…..nervousness around the subject of the attraction

…..extended thoughts about the subject

…..obsessive thoughts beyond normal curiosity about the subject

…..insomnia due to obsessive considerations of the subject

…..anxiety over possible outcomes of imaginary scenarios involving the subject

…..a desire to touch the intimate parts of the subject

…..dreams about the subject

…..fantasy building scenarios between the human and the subject

…..being overly concerned about….

‘Enough,’ said Renyke.

Finally Shabra returned.

She carried two dead animals in her belt and washed a wide glinting blade under the water that flowed from a broken pipe behind one of the disused containers.

‘This water’s good. We can fill up the tanks and flask before we go.’

The new acquaintances were relaxed and considering preparing for the short but dangerous car journey to the Edge.

Shabra checked the vehicle mechanics, the doors and metal buttresses worked in perfect synch and there were six exhausts. She filled the water kegs and put them in the boot.

‘Where is the vehicle from?’ Asked Renyke.

‘I built it,' answered Shabra, 'from scratch. 'Well, I had several wrecks and put my beaut together.

Me n her, we like lovers. She drives me crazy with her vibes.’

Shabra looked at Renyke parting her lips into a wry smile. They were oily from the fat of the meal.

She winked through long dark lashes.

Renyke felt a thump in his heart, a deep penetrating surge of something enthralling.

Suddenly there is a distant high-pitched sound, like a siren or swarm. It seems to be getting louder when Flex and Shabra grab Renyke, throwing him into the vehicle.

Seconds later they were surrounded by a marauding mass of screaming children. Some were made of broken body parts with human faces, others were small walking babies with burnt skin. Some had extra limbs and even two heads. They were crying and screeching, banging toy drums and chanting verses.

to be continued

©2024 Sarnia de la Mare

Links to episodes of Immersion written and illustrated by Sarnia de la Maré FRSA, published by Tale Teller Club

Strata 1
Strata 2
Strata 3
Strata 4
Strata 5
Strata 6
Strata 7
Strata 8
Strata 9
Strata 10
Strata 11
Strata 12
Strata 13
Strata 14
Strata 15
Strata 16
Strata17
Strata 18
Strata 19
Strata 21

Glossary
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Strata 8, Book of Immersion V1, Shabra, (Laws of Attraction)

  

Shabra (Laws of Attraction) 

Sexual attraction for humans is dictated by a reflex to engage in intimacy with others. This phenomenon can be influenced by physical cues alone, the way a human looks, moves, speaks an so on.

Romantic attraction may be described as deeper and yet may still be instantaneous, spurred on by feelings of wanting a relationship with another.

These two desires may appear together in a deep power of attraction.

The psychology of attraction is most peculiar to humans. It is not possible to create this phenomenon in machines whose methods of attraction use logical conditions to draw entities towards them. Predefined targets for machine attention avoid accidents, although machines are notorious for repeatedly targeting their attention on non compliant humans.

Likewise, human attraction is usually nonreciprocal. A machine programmed to give a human all it needs will often reap better results. But when dealing with human desires, neither machine nor human can ever guarantee positive results.

Jerome breaks an awkward silence, 'No *ishy, brother,' He stamped on another Scritter. 'Damn those nasty little *mudafinks!'

Renyke exits the concrete compound with Flex running anxiously behind.

The *robodog had waited patiently at the entrance and began wagging its tail and leaping around.

Renyke spots some graffiti with the Redact logo near an underpass. Maybeline crawled out of his coat and nudged his cheek for food.

'You sure you did the right thing brother?' asked Flex, who was now feeling agitated. His naive friend was likely to lead him into trouble. Perhaps it was time to take charge of the matter.

'Wheels is speed, wheels is protection my friend. We gonna stand out like *fucksyfools on the streets. People gonna target us! Words spread fast.' Flex explained still half running to keep pace.

'I can manage quite well,' said Renyke, 'You don't need to .......' Renyke trails off, distracted by a woman on the car roof.

She glanced over at Renyke.

'Oh well let's just go and ask her for her car then' said Flex.

'Are you mocking me?'

Renyke was genuinely unsure. He had always grappled with humour. Incongruous remarks always had to be analysed closely. A false analysis could be incompatible with overall provision of human satisfaction, which was paramount to his function in the world.

Mabel had used the word *nuke about some of her friends.

'I believe the woman to be nuke, explained Renyke, continuing with some confidence.
She exhibits a powerful energy, enough to engage a compelling force as I look on.

'Hahahahahaha.....' laughed Flex, that will make things worse, trust me, I have knowledge.

Tut, follow me,' sighed Flex reluctantly leading the way.

The woman was sitting on the roof of the car smoking a pipe and making smoke rings.

Renyke felt a momentary surge of something unknown deep inside him. Was it fear he wondered, Trepidation?
Things were not computing.

He checked the POS for his health levels.

...Normal activity presenting. 99.9% battery remaining. Nothing unusual to report.

But Renyke felt a strange fluttering feeling in his belly.

The woman sitting on the car whistled. 'Hey!'

'Like the coat! Cool *toggies. You wanna *swapsie-trade?'

The woman jumped off the car and lifted her fist for an air bump followed by an elbow bump, then a salute. Renyke tried to keep up but was cumbersome. He had seen these manoeuvres in old films on the *tellywebs but he had never actually performed them.

*'Wappens?' asked the woman in a strong accent.' Renyke guessed what she meant and said,

'I need transport, not far, just to Redact, do know that place?'

The woman laughed.....'Man like you, looks way too soft for the *guanty-travel.'

Renyke checks the POS.

'gaunty-travel'......colloquial, Zoners' slang roughly translates as a very dangerous journey

'But I can take to the second-zone, five miles nearer, then you gotta make your own ways,' she continues.

'What you go by?' she asks.

Renyke looks confused.......

'I'm Shabra. Lady of the Shadows, where I go no light follows, ya hear me soldier? I travel at night where there are no lights.'

'I'm Renyke,' he said, trying to decipher the poetry.

You wanna swapsie-trade the coat, or you got me somtin sweeta? I take nibs, bits.......1000 G-bits and you got me hired. But I like that coat too.'

'It's a good deal man, said Flex, 'good deal, five miles is five miles. We come too, me n the dog! I got no ties to this street.'

Flex looks at Shabra who sighs, 'Yeah yeah, whoever, no pipin' in my *vicular though.'

Renyke knows that Flex could be useful, and the robodog too. It was obedient and would do as it was told.

to be continued

@2023 Sarnia de la Mare

Links to episodes of Immersion written and illustrated by Sarnia de la Maré FRSA, published by Tale Teller Club

Strata 1
Strata 2
Strata 3
Strata 4
Strata 5
Strata 6
Strata 7
Strata 8
Strata 9
Strata 10
Strata 11
Strata 12
Strata 13
Strata 14
Strata 15
Strata 16
Strata17
Strata 18
Strata 19
Strata 21

Glossary
Buy Posters and Prints
Art by Sarnia